Services

location sound
Location sound is my biggest passion in life, and I am fully committed to the job.
To do it, you need the ability to cooperate and foster relationships. Being outgoing and maintaining a positive demeanor, even in challenging situations, is essential. Remembering that my role is to assist the director's vision while capturing everything necessary for the post-sound team's success.
I am there to preserve the actors' performances, minimizing the need for them to recreate them later in the ADR studio.
gear rental
I have a variety of gear available to rent for your project's needs.
See my current list of gear below:
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Sound Devices 688 Mixer
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Wisycom MCR54 Quad Receiver
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Wisycom MCR42 Dual Receivers
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Wisycom MTP40s Transmitters
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Sennheiser 416 Shotgun Mic
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Sennheiser MKH50 Mic
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Sanken Cos-11D Lavs
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DPA 6060 & 4071 Lavs
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Sennheiser EW G4 IEM's
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Ambient Nanolockit Timecode Units
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Betso WTCS-1 Smart Slate


ENG/Field audio
Let's be honest, live hits are a lot of pressure. Hundreds of thousands of viewers, and there are so many potential points of failure.
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That's why I have a triple-battery power solution to powering my bag, a fool proof system of sending audio to camera, and of course all the hand held mic's you need.
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You can always rely on audio reaching the studio if I'm on the job!
Live Event/ Broadcast
I have various experience as an A1, A2 and RF Coordinator.
Below are a list of related equipment and software I am proficient in.
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Soundcraft Vi
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Allen & Heath Avantis
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Yamaha DM7
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MIDAS M32
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​Dante (Audinate Certified)
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Soundbase
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Shure Wireless Workbench

