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Services

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location sound

Location sound is my biggest passion in life, and I am fully committed to the job.

To do it, you need the ability to cooperate and foster relationships. Being outgoing and maintaining a positive demeanor, even in challenging situations, is essential. Remembering that my role is to assist the director's vision while capturing everything necessary for the post-sound team's success.

I am there to preserve the actors' performances, minimizing the need for them to recreate them later in the ADR studio.

gear rental

I have a variety of gear available to rent for your project's needs.

 

See my current list of gear below:

  • Sound Devices 688 Mixer

  • Wisycom MCR54 Quad Receiver

  • Wisycom MCR42 Dual Receivers

  • Wisycom MTP40s Transmitters

  • Sennheiser 416 Shotgun Mic

  • Sennheiser MKH50 Mic

  • Sanken Cos-11D Lavs

  • DPA 6060 & 4071 Lavs

  • Sennheiser EW G4 IEM's

  • Ambient Nanolockit Timecode Units

  • Betso WTCS-1 Smart Slate

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ENG/Field audio

Let's be honest, live hits are a lot of pressure. Hundreds of thousands of viewers, and there are so many potential points of failure. 

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That's why I have a triple-battery power solution to powering my bag, a fool proof system of sending audio to camera, and of course all the hand held mic's you need. 

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You can always rely on audio reaching the studio if I'm on the job! 

Live Event/ Broadcast

I have various experience as an A1, A2 and RF Coordinator. 

 
Below are a list of related equipment and software I am proficient in.

  • Soundcraft Vi

  • Allen & Heath Avantis

  • Yamaha DM7

  • MIDAS M32

  • ​Dante (Audinate Certified)

  • Soundbase

  • Shure Wireless Workbench

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